ASSOCIATED HOME

Address: Corso Umberto I, 36 09074 Ghilarza (OR) Tel. +39 078554164
Visiting Hours: venerdì, sabato e domenica, ore 10:00 - 13:00 e 15.30 - 18.30
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Ghilarza (OR)

Nella via principale di Ghilarza si trova la casa dove Antonio Gramsci, a partire dal 1898, visse gli anni dell’infanzia e dell’adolescenza con i suoi familiari. Sebbene la casa abbia subito alcuni interventi che hanno modificato la destinazione d’uso dei suoi ambienti, essa rievoca l’immagine di una famiglia che, pur nelle avversità e difficoltà economiche, seppe trasmettere quei valori sui quali si fonda l’intera opera gramsciana.

Nel 1965 il PCI acquistò la casa che fu trasformata, grazie all’opera di intellettuali e uomini di cultura, in “Centro di documentazione e ricerca sull’opera gramsciana e sul movimento operaio”. Fu l'opera instancabile delle nipoti di Gramsci, Diddi e Mimma Paulesu, e di uomini di cultura tra i quali spicca Vando Aldovrandi a riunire nell'associazione ‘Amici della Casa Gramsci’ quegli apporti fecondi che favorirono la trasformazione della casa in museo e la promozione delle celebrazioni gramsciane che il 27 aprile di ogni anno fanno di Ghilarza luogo di omaggio all'uomo, al politico, all'ideologo, al suo pensiero e alla sua opera tradotta in tutto il mondo. Furono sempre queste collaborazioni preziose, tra le quali quella dell'architetto milanese Cini Boeri e della curatrice della prima edizione delle Lettere dal carcere Elsa Fubini, a permettere di allestire nella casa, suddivisa in più ambienti, il percorso museale attraverso documenti, oggetti, foto, reperti e testimonianze preziose che ricostruiscono le tappe più significativa della sua vita. Al piano superiore si trovano le teche dove sono custoditi oggetti, lettere ed immagini della vita di Antonio e una stanza da letto con dei mobili originali della famiglia Gramsci. Dalla cucina del piano terra, in stile sardo, si accede al grazioso cortile interno che porta al centro storico del paese.

Attualmente la casa è sede dell’associazione “Casa Museo di Antonio Gramsci – centro di documentazione, ricerca e attività museali”-, costituitasi ONLUS nel 1999, che ha lo scopo di favorire la migliore conoscenza del pensiero e dell’opera gramsciana attraverso la fruizione del centro da parte dei visitatori, delle scolaresche, degli studenti.

Situata nel palazzo sede della ex pretura, si trova la nuova biblio-mediateca “Mille Ghilarze” con un’importante collezione di volumi sul pensiero gramsciano e sulla storia politica e sociale contemporanea.
 

 

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Address: Località Donnafugata 97100 RAGUSA Tel: 0932.676500
Visiting Hours: Monday closed. From Tuesday to Sunday from 9 am to 7 pm. It is possible to stay inside until 7:45pm
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Castello Donnafugata

Nel 1647, il barone Vincenzo Arezzo acquistò la tenuta di Donnafugata da discendenti di casa Cabrera e ne ottenne regolare investitura.
Attorno ad una antica torre di avvistamento si iniziò a formare una masseria con relativa casa padronale dove gli Arezzo controllavano le attività agricole del latifondo.
Nella prima metà dell’800, Francesco Arezzo avviò i lavori di rifacimento per creare un “casino di villeggiatura”. È comunque al figlio Corrado Arezzo De Spucches (1824-1895), che si deve la forma dell’attuale Donnafugata. Il barone, deputato al parlamento di Sicilia nel 1848, Senatore del Regno d’Italia (1861) e Regio Commissario all'Esposizione di Dublino (1865), fu autore di una raccolta di poesie e intenditore di teatro, pittura e musica. La sua villa, sede di mondanità ed eleganza accolse uno dei salotti culturali più noti del Circondario
La nipote Clementina sposò il V.te Gaetano Combes de Lestrade (1859-1918), membro dell’Institut, storico ed economista che a Donnafugata scrisse di politica e diritto internazione e sociologia.
Da Clara (figlia del Lestrade) e dal conte Vincenzo Testasecca, nacque Gaetano, che nel 1982 vendette il Castello al Comune di Ragusa.  
Varie le curiosità. Il Castello occupa una superficie di 2500 mq e si sviluppa su tre piani; dei 120 ambienti sono visitabili solamente una ventina di stanze; degne di nota sono: la biblioteca, la sala degli specchi e la sala della musica. Nel parco monumentale si trova il più vasto labirinto in pietra esistente al mondo. Per regio decreto del 1880 le foglie dei ficus potevano essere spedite come cartoline postali. Per raggiungere Donnafugata fu deviata persino la linea ferroviaria Siracusa-Gela e fu costruita una piccola stazione..
Donnafugata, luogo di memoria, entra nell’arte del cinema per far rivivere le pagine di illustri scrittori. Qui, i fratelli Taviani fissarono un prezioso momento del film “Kaos” (ispirazione pirandelliana) e, Roberto Faenza girò le scene de “I Vicerè”, ispirate al romanzo di De Roberto. Donnafugata accolse anche la narrazione onirica de "L'uomo delle stelle" di Giuseppe Tornatore, per poi diventare il set di alcuni episodi della serie del Commissario Montalbano, tratta dai romanzi di Andrea Camilleri.
Nel castello  è custodita una delle più prestigiose e ampie collezioni di abiti e acccessori antichi. Una serie di mostre temporanee offrono al pubblico una selezione tematica di storia della Moda. Presto sarà aperto nei bassi del Castello il MUDECO (museo del Costume)
 
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Address: Villa Silvia-Carducci Stanza del Poeta e Museo AMMI Associazione Italiana Musica Meccanica Via Lizzano 1241 Cesena (FC) Tel. 0547-323425 Fax. 0547 661264
Visiting Hours: Summer: Saturday and Sunday 16.00 - 19.00 Winter: Saturday and Sunday 15.00 - 18.00 Tickets included visiting "Museo Musicalia"
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Villa Silvia - Cesena

The Villa, dating back to the eighteenth century, became property of the countess Silvia Pasolini Zanelli in 1874; she held there a salon gathering the intelligentsia from Romagna: writers and journalists such as Nazareno Trovanelli, Paolo Amaducci and Antonio Messeri, or musicians like Balilla Pratella, Achille Turchi and Federico Sarti.
Among them were also the outstanding singer Alessandro Bonci whom the city theatre is dedicated, and the famous poet Giosuè Carducci.
Here Carducci spent long periods of holidays (eleven times between 1897 and 1906) enjoying not only the peace of the park and the mildness but also listening to the music played by the countess and talking to that leading spirit and highly-cultured woman. Here the poet was inspired to write the famous “Ode alla Chiesa di Polenta”; he got so involved with Villa Silvia as to wish that his days would end here. As a token of their bond a plaque remains: it was placed by the Pasolini Zanelli family in 1907, following the poet’s death, in everlasting memory of their admiration and friendship.
The room where Carducci used to live during his stays has remained untouched and can be visited: the furniture, most of his personal belongings and many pictures showing the poet at the Villa are still there.
The Countess Silvia died in 1920; she bequeathed to the town of Cesena the villa and the large green area that surrounds it to host a charitable institution in memory of her son Pietro and of Giosuè Carducci.
Since then and up to today Cesena Town hall has promoted various social and cultural initiatives: over the last fifty years there were a tubercular hospital for children, a nursery school, a recreation centre, other recreational activities and cultural events. Many activities are still taking place here. You can walk through the evocative “Giardino Letterario” surrounding the Villa: your visit will be supported by recorded music and voices telling news, information, anecdotes about the life of the countess and her ties with Carducci and the other frequent guests at the Villa.
Since 2007 the villa is the operative headquarters of the AMMI (Italian Association of Mechanical Music) engaged in dissemination, preservation and restoration of mechanical musical instruments; they hold educational activities for children, workshops and a school of restoration. Beside running one of the richest libraries on musical instruments in Europe, the AMMI has created here a really outstanding museum named “Musicalia”: a tale which takes you through seven rooms from the actual size model of the mechanical War Drum by Leonardo da Vinci to the twentieth century instruments, along five hundred years of music.
 
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Address: Via di Vainella 1/g 59100 Figline di Prato (PO) Tel. +39 0574 464016
Visiting Hours: Booking necessary
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Villa Tintori - Figline di Prato (Prato)

Villa Tintori is situated in the northern outskirts of the Province of Prato near the town of Figline. The building, dating to the early XX century, was purchased in 1935 by the artist and restorer, Leonetto Tintori, when he was married to Elena Berruti and it was his residence until his death in July 2000.
The estate, buildings and everything contained therein is owned by the City of Prato following a deed of gift dating 1988.
Outside it is surrounded by a park where about three hundred sculptures and reliefs have been installed. They are made of ceramics, cement, terracotta and bronze and were created by Tintori and other XX century Tuscan artists. Inside are preserved about five hundred pieces of archeological finds and ancient and modern art. Among the sculptures in the park there is one representing Noah’s Ark where the ashes of Leonetto Tintori and his wife are kept.

Behind the villa, in some annexes separate from the principal structure, specialized didactic activities are carried out concerning techniques of mural painting and the art of ceramics, as well as research activities for the preservation of mural paintings. Research activities are done in collaboration with many other international scientific bodies and are coordinated by the Getty Conservation Institute - Los Angeles (U.S.A.)
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Address: Villa del Mulinaccio Via Masso all'Anguilla 59021 Vaiano (PO) Tel. +39 0574 942476
Visiting Hours: Except for events and exhibits, it is open Saturday upon booking: tel. +39 0574/942428 (City Offices) or +39 0574/942476 (Vaiano Tourist Office).
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Villa del Mulinaccio - Vaiano (Prato)

The Villa del Mulinaccio, home dedicated to the memory of Filippo Sassetti, was recently purchased in its principle nucleus by the City of Vaiano, which immediately began to enhance its value from an historic and architectural viewpoint, moving towards its use as a museum testifying its history and as a location for cultural events and state rooms for the city administration.
From an historic and architectural viewpoint, the villa with its gardens and annexes is a series of buildings of various periods and styles well harmonized in a way that it constitutes a coherent and unitary architectural complex. The villa was for centuries the center of an important farm and agricultural business that gradually grew into one of the largest farm businesses of the Val di Bisenzio. With its more than thirty-six farm units, it is the most vast and includes the largest number of farms. The renaissance nucleus of the villa is tied to the memory of Filippo Sassetti (1540-1588), who was navigator of the West Indies and had an adventurous life. Sassetti was owner of the villa and farm of Mulinaccio and addressed many of his letters there to his family. He wrote from India expressing the impressions of his travels in the elegant Tuscan tongue.
At the death without heirs of one of the Sassetti family, the Mulinaccio property went to Giovanni Strozzi: the Strozzi family was replaced by the Vaj family in 1660, which kept the agricultural estate up to the middle of the last century. The Vaj family made the extensions in XVIII and then the XIX centuries that have given the complex its current architectural and artistic appearance.
 
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Address: Via Pontorme 97 50053 Empoli (FI) Tel. +39 0571 994346
Visiting Hours: Thursdays and Fridays 10 am - 1 pm; Saturdays and holidays 4-7 pm
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Casa natale - Empoli (Firenze)

Jacopo Carucci, called Pontormo, (Pontorme, Empoli 1494 – Florence 1556) is among the greatest artists of Italian art: the emblem of that extraordinary season that Giorgio Vasari called the “modern manner”. He was born in Pontorme in the immediate vicinity of Empoli. The series of misfortunes that afflicted the outset of his life influenced and disturbed his whole existence. However, literature may have insisted upon the pathologies of his psyche too much. Certainly his expressions reflect (in terms of the highest poetry) his aloof meditation. His works, audacious and anti-conformist, are among the absolute apexes of the XVI century.
The home that was identified as being the birthplace of Pontormo by ugo Procacci in 1956 is now at an advanced stage of restoration. The City of Empoli, who owns it, intends to make it a commemorative place. The interior decoration will be evocative of the epoch in which Pontormo lived. There will be on exhibit objects and works that may recall the expression of the maestro; including, for example, facsimiles of the drawings done in preparation for the painting of the two saints for the altarpiece in the nearby church of San Michele in Pontorme. There will be a beautiful edition in facsimile of the famous Diary of the artist, desired by the City of Empoli. It will also be possible to view the archeological finds that were discovered during excavations for restoration work on the building. A room will be allocated to the use of modern didactic instruments and computer systems.
Last of all, in what was once the residence of Jacopo Pontormo there will be – to give it new life – an international center for the study of VI century art in the province of Tuscany.

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Address: via Caprona 6 55020 Castelvecchio Pascoli (LU) Tel e fax 0583 766147 / Tel e fax 0583 724759 (ufficio musei Comune di Barga), Tel 0583 724743 (urp)
Visiting Hours: 1 Ottobre - 31 Marzo: martedì 14.00 - 17.15, da mercoledì a domenica 09.30-13.00 / 14.30-17.15 1 Aprile - 30 Settembre: martedì ore 15.30 - 18.45, da mercoledì a domenica 10.30-13.00 / 15.00-18.45
Website: Fondazione
Musei Serchio
Comune Barga
Provincia Lucca
Contact: biblioteca

Castelvecchio Pascoli (Lucca)

Giovanni Pascoli (San Mauro di romagna, 31/12/1855 – Bologna, 06/04/1912) was one of the leading poets of the italian decadent, and one of the most representative figures of the Italian literature in late 1800 and early 1900.

He passed in Castelvecchio, a place very close to Barga, the quitest time of his life.

Carrara-Cardosi's country house (XVIII century), in Caprona Castelvecchio, is the arrangement that the poet chose in 1895 as a residence for himself, his sister Mary and Gulì the dog. He called it “a hovel with a bit of garden and forest aroud” in a charming valley, full of voices, colors and lights. While staying in this house, between 1895 and 1912, the poet cultivated his love for Italian and Latin poetry, and here Primi poemetti (1897) saw the light, together with Canti di Castelvecchio (1903), Poemi conviviali (1904), and Nuovi poemetti (1909). This period coincided with the official recognition, rendered to the poet by the critics, as an innovator of Italian poetry.

He liked to see the happy country people such as sharecroppers and housewives, he studied their usages and analized the social and emotional problems of migration. He absorbed the migrant's language, which was frugal and rich in metaphors, and transferred it into his poetry with vivid incisiveness, in a brilliant synthesis of continuity and break with the classical tradition. The images of the usual farm work such as plowing, harvesting and sowing, in Pascoli's poems become events that transcend space and time. The sorrounding nature turns into memory, recollection and emotion, and the most common sounds like the Bear River's lapping waters, the Castelvecchio's spring bubbling, the voices of the countryside, the time marked by the Tower of Barga, become word, music, color, revealing unsuspected sensations and feelings. The house preserves the structure, the furniture, the layout of the rooms as they were at the time of Giovanni Pascoli's death, which took place in bologna on the 6th of April in 1912. Mary Pascoli preserved his property with deep affection for forty years and now rests next to her brother in the chapel of the villa. She bequeathed the property to the town of Barga which takes care of the buildings, the archive, which contains about 76000 papers, the poet's library, which consists of 12000 volumes. The museum house was declared a national monument and the natural environment that sorrounds it, a particularly interesting landscape.

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Address: Via G. Pascoli, 46 San Mauro Pascoli (FC) tel. 0541.810100 fax 0541.934084
Visiting Hours: Estivo (dal 16 giugno al 15 settembre): dal martedì alla domenica 9.30-12.30 e 16.00-19.00 Invernale (dal 16 settembre al 15 giugno): dal martedì alla domenica 9.30-12.30 e 16.00-18.00 Chiuso il lunedì
Website: Parco Poesia Pascoli
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San Mauro Pascoli (Forlì - Cesena)

The Pascoli house has been a national monument since 1924. The poet Giovanni Pascoli was born here on 31 December 1855 and spent the early years of his childhood in this so loved home. The family moved to the “Torlonia” estate for a short period and returned to the house after the death of Giovanni's father. Further misfortunes forced the family to sell the house. The poet was always very attached to this house where he spent his youth. Dated back to the 700, the house, was damaged during the II World War and later renovated, respecting the original structure, and transformed in a museum of Pascoli memories.

 
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Address: Località Campiaro 40030 Grizzana Morandi (Bo) 051 6730311 +39 3661433930
Visiting Hours: Saturday and Sunday from 3pm to 6pm
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(Bologna)

Morandi’s house was built at the end of the fifties and has become a museum when Maria Teresa Morandi, Giorgio’s younger sister, donated it to Grizzana Municipality, provided that it would be kept in its state and made visitable. She died in this house in 1994.
Nowadays it is a small museum where everything is left unchanged: family things, holy pictures on the walls, clothing in the wardrobes, paintbrushes, color tubes, jugs, cans and several postcards: among them, one written by Sandro Pertini ( the future Italian Republic President) in 1960.
This two-flat house has been designed taking Veggetti-House - the opposite one - as a landmark. Morandi’s family had been hosted there since 1913 and Giorgio’s loved landscape was at a stone’s throw: just opening the window, one could admire the woods and Campiaro haylofts.
Giorgio Morandi (1890-1964) had three sisters: Anna, Dina and Maria Teresa. He stayed in Grizzana for the first time in 1913, after his sister Anna felt ill and the doctor advised to spend some time in a salubrious place.
Therefore, Morandi’s neighbours in Bologna, the Veggetti family, invited him and his family to spend the summer in their holiday home in Grizzana. There, Anna recovered from her illness and Giorgio felt in love with that landscape. Apart from some short stays in nearby places, Morandi’s family started to spend the summers in Grizzana, always as a guest of Veggetti family.
During the Second World War, between 1943 and 1944, they spent an year as evacuees in Grizzana, where they thought they would find a quieter situation than in town. Actually, the Direttissima railway was heavily bombed and in July 1944 two massacres also took place (Piandisetta and Bolzo); these were the anticipators of Montesole mass murder. Consequently, at the beginning of September they went back to Bologna.
After the war, they didn’t go back to Grizzana for some years but the call of this place was too strong. For this reason, at the end of the '50 they decided to build their house in a piece of land that previously belonged to the Veggetti family: the place where the artist loved painting.
By that time Giorgio Morandi had already become very famous (thanks to his fame he had also obtained the chair of “Engraving Technique” at the Academy of Fine Arts in Bologna) and therefore could afford a more luxurious house. Despite that, he wanted to design it exactly as it is: very simple and essential, as the objects that he loved to paint. Inside Morandi’s house, the library, the studio and the bedroom are very interesting.
The library allows to understand Giorgio Morandi’s literary preferences and several books also contain dedications by the authors to Giorgio or his sisters. These are evidences of Giorgio’s frequent contacts with leading figures of the cultural world. On the walls, there are photolithographs of some of his aquarelles. It is interesting to notice the vases with the typical shapes that the painter liked so much and, inside the cupboard, the glasses and the bottles left exactly as they were at that time.
As the library, the dining room shows essential but elegant furnishings: on a furniture a portrait of Giorgio, Anna and Dina; beside it some objects, some shells and further books and magazines speaking about the artist.
On the ground floor of the house there are Giorgio's sisters bedroom and the kitchen, where one can still find objects of the everyday family life.
On the second floor, there is a further bedroom that also belonged to his sisters. In this room, one can still find the wardrobes containing the original clothes and linen.
On the same floor, there are Giorgio's bedroom and studio. Here the studio and the bedroom are separated, differently from his house in Bologna.
As the entire house, the artist’s bedroom is evidence of the modesty of his life (only the small table is an intrusion and has been placed in the room by his sisters, with the purpose of increasing the available space in this essential house). The bed is exceptionally small for such a tall man and under the mattress there is a copper slab still to be carved. In the drawer of the writing desk it is still possible to find his paintbrushes (some of them with bristles snipped with the aim to realize a particular brushwork), his oil-colours (branded Windsor & Newton, from London), one book by Giotto and another by Masaccio, some cigarettes and a coin purse.
The studio-laboratory shows the artist’s daily working tools as well as many other objects (vases, jars and jugs) from that he took his inspirations and that were subjects of his famous Still Lifes, characterized by pale colours and lit by an impalpable light. The studio is left unchanged since the last summer that Morandi spent in Grizzana, in 1963. In this room there are also frames, canvas, paintbrushes. A travel easel is left in a corner together with the bag for colours, while a studio easel is placed in the windows light. From these windows, Morandi painted the haylofts and the Houses "La Sete" and "Le Lame".
It is interesting to notices the jars of Ovaltine that Morandi used to repaint before using them for his Still Lives as he was certainly fascinated by their very simple and essential shape.
On the basement, in the garage, there was still the gray FIAT 850 used by the family. Now it is exposed in the garden of the House, completely restored.
Many of the places painted in Morandi’s Landscapes are near the House-Museum and it is still possible to walk through the ways covered by the artist to reach different positions immersed in nature, and hiding away from prying eyes. Indeed, he used to go out early in the morning with everything necessary for drawing and painting, setting off for solitary paths and dusty ways.

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Address: Piazza Mazzini 10 60033 Chiaravalle (AN). Tel +39 071 9727343/9727344
Visiting Hours: Monday - Saturday 9:00 – 12:30 am Monday and Wednesday 3:00 – 6:00 pm
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Casa natale - Chiaravalle (Ancona)

A House made of rooms that becomes invention and project, experience and memory, an infinite perspective of Maria Montessori's thought. Place of the story - the woman, the mother, the scholar, the traveler, the scientist, the pedagogist - that connects Chiaravalle to the world.

Birthplace, museum house, community in the community, virtual and real at the same time, the whole House is exhibited as a place of broad and unconventional knowledge, of meditation and contemplation, of dissemination.

Represented with contemporary tools and languages, the life and work of Maria Montessori are returned as traces, finds, inspirations, multicultural dialogues, connections between languages, geographies, worlds and disciplines.


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