Address: Via Verdi, 31 Sant’Agata Villanova sull’Arda (PC) Tel. +39 0523 830000 Fax +39 0523 830700
Website: Villa Verdi

Sant’Agata Villanova sull’Arda

VILLA VERDI IN SANT’AGATA, a few kilometres from Busseto, is the house Giuseppe Verdi bought in 1848, with the initial aim of helping his parents get settled. Following the death of the composer’s mother, Verdi himself came to occupy the house, together with his wife Giuseppina Strepponi, leaving his Busseto apartment to his father, Carlo. The married couple resided on the ground floor of the Villa, with the first floor designated to guests and to staff.
In the Villa you can visit the private rooms of Verdi and his wife.
You can also visit Room 157 at the “Hotel et de Milan”, the hotel near the Scala Theatre, where Verdi died on January 27, 1901 at the age of 87. This site was donated to the museum. In the Villa you can visit the Chapel where, by papal concession, people were able to celebrate Mass, as well as the stables, the cellar, and the carriages used by Verdi. There is also the park, with its exotic plants and the memorial to Lulù, his loyal hound.
Villa Verdi is preserved as it was during the great composer’s time there. It is the place where he wrote music, where he’d receive his select guests, and where he proved his talents as an architect and farmer. The Villa thus provides the key with which we can understand the immortal spirit of Verdi, the man himself as well as his genius.
Currently the Villa is inhabited by the heirs of the musician, the Carrara Verdi family, who are descendants of Maria Filomena Verdi.

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Address: Fondazione Ivan Bruschi Corso Italia, 14 52100 Arezzo Tel.0575 354126

Ivan Bruschi - House museum of Antiques  - Arezzo

Establish a Foundation to spread the love for art and culture antiquarian was the last wish of Ivan Bruschi, a famous antiquarian in Arezzo, internationally renowned to be the creator and animator of Arezzo Antique Fair, the first event of its kind in Italy, and today still the largest.
It is in this context should be seen as action at enhancing and increasing the collections owned by the Foundation, in order to remain faithful to the original idea that led to the action of Bruschi throughout his life.

There are two poles of this project:

• The Casa Museo Ivan Bruschi, a "place of wonder" where the cultural and aesthetic conception of Bruschi gave the rooms a strong suggestion, even for the value of the collections on display now restored, cataloged and reorganized after a complex study of the Scuola Normale Superiore di Pisa. The House Museum is now open to the public thanks to the efforts of Banca Intesa Sanpaolo.

• The numismatic exhibition of Ivan Bruschi Foundation. On June 2019 the numanistic corner at the FondazioneIvanBruschi in Arezzo, administrated by Banca Intesa Sanpaolo, opened to the public on a new and more complete exhibition, on the second floor of Palazzo della Fonte. The exhibition edited by FrancaMariaVanni, has two sections: in the first one there are coins and medals part of the Fondazione’s collection, in the second one there are Italian banknotes part of Banca Intesa Sanpaolo’s collection. As well as tourists can enjoy the exhibition, experts can visit it on request. In the first section there are 4000 thousand gold, silver, bronze and mixture coins displayed inside special displays, which were part of Ivan Bruschi’s numismatic collection, founder of the Antique Fair of Arezzo one of the most important in Italy. Such exemplars cover an extended chronological timeline, from the Italic pre-coinage (aes rude) to the 20thcentury. There is Italic and Etruscan coinage, some series melted and coined in the Roman republic, some Greek coinage and emissions of magno-greek cities,the Byzantine coinage with gold and bronze and the Italian mediaeval coinage. To complete the collection there are celebrative and devotional medals, coin weights, coins and seals, all from the medieval and modern time. Among these latter, there are some excellent gold exemplars. In the four rooms of the Fondazione Bruschi numanistic exhibition, inside especially made displayers, were it is possible to admire both faces of the banknotes, there are 1458 exemplars, part of the 9000 banknotes owned by Banca Intesa Sanpaolo. Their disposition follows a chronological path that includes issues made in the several states of the Italian peninsula before the unificationThe banknotes issued by the banks before the Banca d’Italia had being established.


Set in the heart of Arezzo, in front of the Parish of St. Mary, in the fourteenth century Palazzo del Capitano del Popolo, the Casa Museo Ivan Bruschi hosts the eclectic collection of the famous antiquarian.
Formed from the early 60s for purchases of previous collections which progressive and objects available on the antiquities market, the collection now has about ten thousand pieces.
Inside the palace, one of the most important public buildings and representative of the city during the Middle Ages, as evidenced by the many emblems affixed to the facade, runs an exhibition that, while showing the predilections of the collector, however, allows to reconstruct the nuclei of the main collection.
Son of art Ivan Bruschi had met while studying Roberto Longhi and enriched with increasingly specific decided to dedicate his life to the protection, enhancement and to collections of artistic heritage, not only Tuscan or Italian.
This flurry of initiatives, also stemmed from growing up in a family where the passion for antiques and art objects was very strong. His father Peter and his older brother, were merchants of antique furniture. The youngest of six children, Ivan Bruschi was born in Castiglion Fibocchi in 1920, but lived for some years with his family in Florence.
In the early '60s, particularly related to his dwelling youth, he returned to live with his sister Dina in Arezzo, in the old Palazzo del Capitano del Popolo, owned by the family since the beginning of the '900 and the tragic Allied bombing of December 1943 had largely destroyed, and put his hand to the restoration of the building.
The choice to stay in Arezzo in 1967 meant that Bruschi opened his antique shop on the premises of the gallery in Piazza San Francesco, in which each month, still welcomes many stands of selected antique dealers, at the Antiques Fair born to Bruschi will of the same in 1968.
A considerable number of archaeological fragments, sculptural and epigraphic, welcome to those who enter in the House Museum: forms and letters decorate the entrance almost to evoke the words and cordial discussions here entertained by the distinguished landlord and his distinguished guests.
The visit is developed in a series of sixteen rooms, spread over three floors, simple and elegant, perfect in every detail, where the effective preparation museological attention consistently emphasizes that the learned Collector had set up in 1996 in the exposition and balanced harmonious of their collections within the walls of the fourteenth century "Arena".
The collections cover a historical path that starts from twenty-two thousand years before Christ, with the precious “Venus of Arezzo”, prehistoric sculpture, but also from archaeological Egyptian, Etruscan, Inca, pre-Columbian and ancient Rome.
The walls are adorned with engravings, drawings and paintings of circles Papacello, Tintoretto, Guido Reni and still Sassoferrato and Luca Giordano, as well as valuable pieces of furniture dating from the fifteenth century until the nineteenth.
Among the Renaissance polychrome sculptures dominate even armor and weapons at the end of the chisel, precious fabrics, lace, liturgical objects, votive offerings and reliquaries, vestments and robes eighteenth century, not to mention jewelry, cameos, coins, medals and seals, bronzes, ivories, porcelains , glass objects, various silver, ceramics, stamps and even desk clocks, scientific instruments, fossils, important documents, incunabula, cinquecentine located in the Studiolo.
A significant selection of books of essays, art are preserved in the library on the second floor, from where you can access a wide multi-level terrace that crowns the building and allows you to live a "face to face" with the face of the magnificent Romanesque church of Santa Maria, characterized by four horizontal registers of stone columns, decorated by a number of reasons both in stems and in capitals, often of archaeological origin and reused.
To continue to grow this culture beyond its borders biographical Bruschi decided in advance to make public use of their home and collections to be stored, through the creation of a foundation.
In his will he established the public Ivan Bruschi Foundation, naming it the heir of his fortunes, so go on, in different forms, his work. By the same act definitively sealed the covenant of trust and collaboration that lasted all his life with "his Bank", delivering "His foundation" perpetual administration of Banca Intesa Sanpaolo.
In December 1996, Ivan Bruschi closed his eyes on world affairs on the upper floor of the Palazzo del Capitano del Popolo, restored along with the treasures kept in the system and open to the public, thanks to the financial commitment of Banca Intesa Sanpaolo.
Works of art, antiques, moods still bring the presence of Bruschi in those old rooms that he loved so much and where every month comes from the nearby streets shouting active and lively than its antiques fair.


Located opposite the famous Romanesque church of S. Mary, in the upper part of the historic city, which houses the most outstanding memories and secular venues of the city authorities, the Palazzo del Capitano probably gets its name from having been the headquarters of the Guelph party of Arezzo and perhaps the Captain of Justice. Already Lodomei house, the building was then owned by Camaiani, the Guelph family who came into possession in the '300. It is also referred to as the Palace of the Mint since, as shown by documents, at the beginning of the fourteenth century became for a time the residence of the Officers of Gabella and than in the fifteenth century the headquarters of Florentine Public Officers.
The origin of the building dates back to the thirteenth century when it was built on an even older building. The history of the Palazzo del Capitano del Popolo is partly told by the coats of arms on the façade of the building. Those still readable depicting the emblems of the city of Arezzo (golden cross on a red field), the family Camaiani (blue background with a gold band across the top and a red rake with three golden lilies in your teeth) and the City of Florence (the lily). This suggests that in 400 the building was previously owned by the city government and perhaps only after 1384, the year of the end of the independence of Arezzo, there was laid the Mint.
Looking at the Palace can be seen clearly evident the wide wound caused by the bombing that, on 2 December 1943, severely affected the historic center of Arezzo: the original part of the building is clearly recognizable from the one rebuilt in the late '60s by Ivan Bruschi, in the context of an intervention that also involved the reconstruction of the most interior of the ancient building.
The beautiful and austere facade of the Palace of regular blocks of stone, places emphasis on the perspective and the play of light that gives it its unique position on the high slope of the Via dei Pileati. The scans neat and clean appearance of the structure determine the architecture of the palace: the four doorways, one of which is very broad, arched ground floor, the linear frame with simple decoration, the five windows of the main floor, repeating the trend openings earthly, before arriving in the small windows located under the wide eaves, whose space is enhanced by an emphasis on the last string course.
The entrance to the palace confirms the impression of severity is typically Tuscan, which in the dim light of the wide entrance becomes harmonious and austere nobility. The high walls, enhanced by a valuable collection and covered with vaults of stone corbels and the volumetric play of the corridor that follows the first entrance atrium, leading to the cloister-style century, revived in the middle of an ancient well and by a loggia with stone columns from magnificent capitals with acanthus leaves. Following the path of prospective ground floor, which is defined in the distance from the light source of the second courtyard there is access to large covered halls at times. Elegant and always characterized by austerity the halls of the first floor where you can admire the well-preserved wooden ceilings and windows of which has an unusual and extraordinary vision of the Romanesque façade of the church. The presence in the different areas of portals, shelves and stone fireplaces reminiscent of the fifteenth-century structure of the building, in which Ivan Bruschi lived until his death.

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Address: Casa Museo Giuliani via Cardinale dell’Olio n 48 76011 Bisceglie (BT) cell 339 18 77576


Mauro, Giuseppe, Sergio, Pantaleo, Giuliani, (Bisceglie 1781-Naples 1829) was one of the most representative composers of the guitar. Equipped with an extraordinary ability to treat it instrument, he moved to Vienna in 1807 remaining there until 1819. In the capital of the Austrian Empire, he was admitted not only in court circles, but also in artistic circles, making friends with the pianists Moscheles, Diabelli, Hummel, and the violinist Mayseder and knowing Beethoven personally. In 1815 he exibited at the Congress of Vienna and in 1823 he settled in Naples at the Bourbon court, where he died on May 7, 1829 at Via Cavallerizza.

Giuliani House Museum was built in a building of 1794 in the heart of the historic center of Bisceglie, and houses a documentary center on the musician and his time. In the house museum they are in fact exposed first original editions of the master, epistolaries, portraits, ancient methods for guitar, and a splendid guitar built in 1804 by the most important Neapolitan luthier Gennaro Fabbricatore and played by Giuliani himself.
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Address: Castello di Castiglione del Terziere 
 Via del Borgo, 1
54021 Bagnone (MS) Tel. +39 0187 429100 + 39 347 0004486
Visiting Hours: Reservation required by email or phone
Website: -
Contact: -

Bagnone (MS)

Doctor and pharmaceutical manager, he dedicated himself to university teaching, writing and poetry. He spent time with Licinio Cappelli, Luchino Visconti and Federico Fellini and published the Trilogia (Diario Postumo, Miserere Dei and Il poeta muore), for which Pier Paolo Pasolini considered him one of the greatest writers of XX century. From 1969 to 1973 he restored the castle of Castiglione del Terziere, in the municipality of Bagnone in Lunigiana, ancient stronghold of the Malaspina family, in a land between Tuscany, Liguria and Emilia Romagna. “I want to recreate a place of memory, where taking back the souvenirs of my people and my land. Remember is a fact of civilization. The Italian word ricordare derives from cor-cordis: because the ancients believed the memory lived in the heart”. In the castle he founded the Centro di Studi Umanistici ‘Niccolò V’, the Libera Cattedra di Filologia e Polifonia Vocale and collected an extraordinary collection of documents: a library full of manuscripts, incunabula, first editions, great writers’ autographs, an archive of papers about the relationship between Florence and the Lunigiana between XIV and XVIII centuries, paints and archaeological findings.

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Address: Via della Processione, 1 Roncole Verdi, Busseto (PR) Tel. 0524.97450 / 0524.92487
Website: casamuseo

Casa natale (Roncole di Busseto)

It is only natural for the itinerary to start from here. As can be read on his birth certificate (written in French, since at that time the Municipality of Busseto was under the Department of Taro, directly annexed to France), Giuseppe Fortunino Francesco Verdi, son of Carlo and Luigia Uttini, was born at eight o’clock in the evening on 10th October 1813. In this modest building, located at a crossroads in the centre of the village, his father ran an inn with an attached grocery store. His mother was a spinner.

As legend has it, because the yearly festivities for the feast of San Donino, the patron saint of the diocese, were underway at his birth, the music played by a group of strolling musicians was a good omen for the future of the newborn baby. According to recent studies, the Verdis were a family of small landowners who were not illiterate; often, in fact, the innkeeper read letters for those who could not. Hence, the legend of the poverty-stricken family, of the uneducated, poor little peasant, of the starving artist, later fuelled by the editor Ricordi, should be re-evaluated.

Yet, to this day, the most evocative place of Verdi, thanks to the important work of recovery and restoration begun in 2013, does not fail to touch the numerous visitors at the thought of the triumphant goals achieved by the composer. Verdi, however, never forgot his own origins and, in 1863, wrote: “I was, am and always will be a peasant from Roncole.” On the front of the house, a commemorative plaque from 1872 reminds us that the marquises Pallavicino, who were the owners, wanted the house to stay as it was. Over time, other commemorative plaques have been put up. One in particular should be recalled; that given by the poor of Roncole who were helped by the Maestro (1901). In 1913, the centennial of his birth, a bronze bust by G. Cantù was placed in the small garden in front of the house.  

As you enter the Museum, the guide will hand you an iPad and earphones. That iPad has an app that allows you to visit the house independently. An interactive map helps you find your way around, the audio sections tell anecdotes and facts about the composer’s childhood, while textual and video materials supplement the narration. To see the same scenes that Verdi would have seen as a child, to listen to his voice telling the story of his own family and to catch sight of his shadow on the walls: all this is possible. Because your guide in this Museum will be Giuseppe Verdi.

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Address: Casa dell’Upupa - Studio Ilario Fioravanti Piazza Roverella 13 47020 Sorrivoli di Roncofreddo (FC) Tel. +39 0541 946652 Cell. +39 334 3651256; +39 333 6721018
Visiting Hours: Visits by appointment, preferably on Saturday and Sunday

Roncofreddo (Forlì-Cesena)

The house of the Hoopoe, owes its name to the presence of nests of the bird, and is located in the valley of the Savio River, at the foot of the ancient castle of Sorrivoli. The house was bought in the ‘60s by Ilario Fioravanti, architect, sculptor, designer, engraver and writer, to create his own shelter and for his works. Among his personal and artistic relationships there were the architects Giovanni Michelucci and Pier Luigi Nervi; critics like Giovanni Testori, Antonio Paolucci and Vittorio Sgarbi, the poet Tonino Guerra, the well-known psychiatric Vittorino Andreoli, who defined Ilario Fioravanti’s house as the place “where the characters he created welcome him. Characters he can caress. Here he re-finds his memory. Because, by now, it is made only by his clay artefacts”. Married in advanced age with Adele Briani, he lived a positive turn. An artist’s garden with many bronze works and a large depot with hundreds of sculpture and paper works, complete the house-museum.
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Address: via San Giovanni 5 12037 Saluzzo (CN)

Saluzzo (CN)

Casa Cavassa is probably one of the most representative Renaissance buildings in Saluzzo. It was the residence of a noble family native of Carmagnola, who rapidly gained the Marquises of Saluzzo’s favour in the 15th century. In 1464 Galeazzo Cavassa was appointed General Vicar of the Marquisate and then the office passed down to his son Francesco, who commissioned renovation works that transformed the house in a splendid palace. In 1883 Casa Cavassa was bought by Emanuele Tapparelli D’Azeglio, a diplomat and art collector. The palace was restored following the 19th-century principle known as "completion according to style": everything that didn't date back to the Renaissance was removed and replaced by works of art and antiques dating back to the 15th and 16th century. In 1888, according to D'Azeglio's will, who wanted to turn it into a museum, Casa Cavassa became the property of the town of Saluzzo. In 1890 the civic museum was first opened to the public. Even today the white marble portal and the sculpted front door (1518-1528), attributed to the sculptor Matteo Sanmicheli from Lombardia, bear witness to the splendour of this palace at the beginning of the 16th century. On one of the walls of the internal loggia you can admire some grisaille frescoes by Hans Clemer, a famous Flemish painter who worked in the Marquisate from 1496 to 1511. The paintings (1506-1511) depict seven of the famous Labours of Hercules. Underneath the balcony, above the mullioned windows, you can note a frescoed decorative band portraying the signs of the zodiac. Currently the tour route consists of 15 rooms full of art collections, including the altarpiece "Our Lady of Mercy", a masterpiece painted in 1499-1500 by Hans Clemer.

dal 1 marzo al 31 ottobre: martedì, giovedì, venerdì, sabato dalle 10 alle 13 e dalle 14 alle 18; domenica e festivi dalle 10 alle 13 e dalle 14 alle 19. Visite guidate sabato alle ore 15.30 e 16.30; domenica e festivi alle ore 15.30, 16.30 e 17.30

dal 1 novembre al 6 gennaio: domenica e festivi dalle 10 alle 13 e dalle 14 alle 18. Visite guidate alle ore 15.30, 16.30

Chiusure annuali: 1 Gennaio, 25 Dicembre - dal 7 gennaio al 28 febbraio (salvo aperture straordinarie programmate di anno in anno)

Aperture serali in occasione di eventi stabiliti dall'Amministrazione comunale.

Visitabile per gruppi tutto l'anno con tariffe speciali e in orari da concordare previa prenotazione.

Informazioni e prenotazioni: n. verde: 800 942 241 email: This email address is being protected from spambots. You need JavaScript enabled to view it.

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Address: via Trieste 1 Casore del Monte (frazione di Marliana) Pistoia
Visiting Hours: The house is not open-ended, waiting for prison staff.

Marliana (PT)

This small house-museum is inside an antique building called the ‘cappellania’. Its oldest part was erected in the late Middle-Ages. Mr. and Mrs. Zetti purchased it in the early 1970s and made it their country home. The renovation works took a long time to be completed as the intention was to preserve Italo’s memory, as well as the woodcuts, an ancient and noble art of engraving on wood (rarely practiced today), for future generations. Despite the renovations, the house retains its ancient aspect and decor and the varied furnishings give every room a unique and incomparable charm. In the ground floor rooms there are some photographs of the old Casore, pottery, copper furniture, household tools and other rustic objects of different origins and uses. On the first and second floors, we find an exhibition of typical, hand-crafted folk items, such as dolls, nativity figurines and even a well-preserved shaft from a farm in Romagna. Traditional crafts such as furniture, antique glass and porcelain objects, along with many contemporary artists’ works, such as the paintings by Italo’s brother, a large number of woodcuts, paintings, drawings, pottery and a hundred wooden matrices with the related engraving tools, are exhibited throughout the house. The museum presents an in-depth study of the artist’s activities as an engraver and his various xylographic techniques. Also worth a visit is the casa Severina next door, where an old print shop has been reconstructed and one can see a valuable collection of bookplates by Italo Zetti and other artists. Moreover, there is also a space set aside to host temporary exhibitions during the summer season. Finally, in the nearby Casa Pasqualina, you will find a typical chestnut dryer or ‘metato’, the only one left from the old Casore.

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Address: Fondazione Casa Artusi via Costa 23/31 47034 Forlimpopoli (FC) CONTACT CASA ARTUSI COOKERY SCHOOL tel. 0543 743138 Mob 349 8401818 SHOP CASA ARTUSI tel. 0543 743138 Mob 349 8401818 RESTAURANT CASA ARTUSI di Andrea Banfi & c. tel. 0543 748049

Fondazione casa Artusi - Forlimpopoli (FC)

“Was a businessman and a cultured man, but his name will refer to excellent Italian cuisine by antonomasia, for future memory.”
Alberto Capatti

Pellegrino Artusi, acknowledged father of modern cookery who did what he could to spread the use of the Italian language, was born in Forlimpopoli on 4 th August 1820.

After completing his studies, he began dealing with his father’s business and, as a result, travelled around various regions of the Italian peninsula. Between 1851 and 1852 the Artusi family left Forlimpopoli, and moved to Florence.

A wealthy man, at the age of 45 Artusi was able to concentrate on his passions, culture and cuisine, full-time. He died in Florence at the age of 91.

La scienza in cucina e l’arte di mangiar bene – Science in the kitchen and the art of eating well

Published in 1891 at the author’s its success was as unthinkable as it was overwhelming. During the following 20 years, the author himself worked on 15 editions and the “Artusi” (by then simply called by the author’s name) became one of Italy’s best read books.

The last few editions of the manual, a true watershed in modern gastronomic culture, collects together 790 recipes and still today counts a large number of editions and enjoys widespread circulation. It has been translated into English, French, German, Dutch, Spanish, Portuguese and Russian. The approach is that of a teaching manual (“I practise using this manual,” wrote Artusi, “one simply needs to know how to hold a ladle”), and recipes include considerations and short stories which make Artusi’s manual a masterpiece of wit and wisdom.

Casa Artusi is the very first centre of gastronomic culture to be established, devoted entirely to Italian home cookery.
Casa Artusi was founded in the name of cultured gastronomist from Forlimpopoli, Pellegrino Artusi (Forlimpopoli 1820-Florence 1911), who can be found in many homes, both in Italy and abroad, through his manual La Scienza in Cucina e l’Arte di Mangiar Bene (Science in the Kitchen and the Art of Eating Well) . Casa Artusi, built through restructuring work carried out on the monumental complex of a church, Chiesa dei Servi, stretches out over 2800 square metres split into different areas with a range of functions, all dealing with different aspects of gastronomic culture. Casa Artusi – library, cookery school, bookshop, restaurant and wine cellar and location for events - is a living museum to home cookery.

La Biblioteca Pellegrino Artusi – The Pellegrino Artusi Library

The Casa Artusi library has around 50 thousand books, and houses the Biblioteca Civica di Forlimpopoli (Forlimpopoli Council Library), the Collezione Artusiana (Artusi Collection) and Raccolta di Gastronomia Italiana (Italian Gastronomy Collection).

The Events Area

Casa Artusi organises exhibitions, meetings, tasting sessions, product presentations and workshops in the Events Area.
It hosts assemblies and meetings in rooms able to accommodate 15, 50 and up to 130 guests, equipped with the very latest technology.
Casa Artusi provides a consultancy service for creating and organising events, also for companies wishing to motivate and reward employees even using the cookery school.

Il Ristorante, l’Osteria, l’Enoteca– The Restaurant, the Tavern, the Wine Cellar
Many of Artusi’s dishes can be enjoyed at the restaurant, according to the season. Fresh, home-made pasta and recipes from the tradition of Emilia-Romagna are also served at Casa Artusi, prepared and brought to table paying great attention to both the season and the quality of the ingredients.
Rooms are set out over several floors and can accommodate up to 90 guests. The restaurant space can be increased to hold 120 for special events.

Osteria offers more informal catering and an extensive selection of wines, served both by the glass and by the bottle. Meals include both a buffet of typical foods from the area, and dishes served from the kitchen.

A large selection of wines from Emilia-Romagna are on both show and sale in the Wine Cellar, which is affiliate with the Enoteca Regionale Emilia-Romagna.

La Scuola di Cucina – The Cookery School
The best teacher is practice”
The Casa Artusi Cookery School is open both for food lovers aiming to improve their cooking ability, and professionals wanting to better their skills in one specific area of catering.
The school has a teaching hall with 20 workstations equipped for practical courses, and can also accommodate up to 30 course participants for demonstrations.
All Casa Artusi courses feature a cultural introduction and an in-depth study of the quality of the ingredients used.
The Cookery School also works in association with the Enoteca Regionale Emilia Romagna and the Associazione Italiana Sommelier.
Some of the most important names in national catering liaise with the Cookery School, and

Casa Artusi asks professional teachers to coach course participants using their knowledge of domestic cookery.

The Associazione delle Mariette has the invaluable task of teaching traditional Romagnolo cookery, including fresh, home-made pasta and piadina (a kind of unleavened bread).

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Case della MemoriaNumero Anti Violenza e Stalking
a sostegno delle donne vittime di violenza e stalking
Chiama ora